Gulf Coast Online Exclusives


Heavy-Headed

Aram Mrjoian

My head often feels filled with concrete. This is not to say congested. If anything, I am rarely sick.


Poetry, Fiction, & Nonfiction   

The Traveling Coconut

Tashima Thomas

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

Oh, The Pretty Boys

Shannon Savvas

Their forever never lasts that long. Gone by Christmas.

Chicxulub Köçekçe / Pioneer Species

Kenan Ince

Like those jellyfish that swell with future oxygen, / I live into my gender, balloon constantly rising

Playing in the Institute: on Tag at ICA Philadelphia

C. Klockner

It’s still a question of how queer exhibitions can function within certain institutions without assimilating, without petrifying living works in order to propose additions to “the” hegemonic canon, but Tag proposes ways forward that walk indeterminacy with confidence.

From the Archives

It is Hard Not to Love the Starvationist's Assistant

Ander Monson

The job description was accurate: Assistant Needed for Commercial Body Modification Project was what it read, and Sherilyn was excellent at assisting, having done it most of her life.

The Curiosities

Amaud Jamaul Johnson

The year, this distance— when brightly his face hums and ticks like a washed penny and you can see him now as a co-worker or neighbor…

2 Poems

Sara Lupita Olivares

blame grows small in the moth’s circling / day to day the slightest tooth loosens / a landscape changes until returning by habit

No Separate Thing Called Nature: An Interview with Richard Powers

Charlotte Wyatt

The Pulitzer Prize-winning author talks to Gulf Coast about trees, the transformative power of storytelling, and how writers might respond—and stay responsive to—the unique demands of this moment in both human- and tree-time.

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…